Monday, 21 August 2023

Words and Phrases - an Occasional Series

Recently I've noticed the phrase "whisper it" creeping into articles and features. Here is an example:


I've been wondering why it makes me squirm. I think it is because it encourages the reader to believe they are in cozy collusion with the writer. It has a giggly, girlie feel that I don't want to be part of - and I don't trust. There is also the falsity of suggesting we all keep something a secret that is actually being highlighted in a widely-read publication.

Then there is "spree" used in the context of murder. Spree is usually associated with shopping and it makes me very uncomfortable to see it used in association with wicked activities. I am not saying shopping is virtuous but it is frivolous. Killing people is not:



Saturday, 19 August 2023

More Paper Recycling

I am not posting something from the Financial Times this time - possibly this one is from the Telegraph, although I didn't make a note so can't be sure. Anyway it is an enchanting little poem by a pre-World War I phenomenon:





Perhaps I find this poem moving because the opening pages of my first novel contain moth references, suggesting I have moth inclinations. Or, more likely, it is because the question the poem asks is such an interesting one.

Thursday, 17 August 2023

Niger

I bought a copy of the Financial Times. As it is difficult to access it on-line, I am posting the articles I read in it that strike me as worth sharing.

This one touches on the extraordinary trivialisation of news reporting in Britain. The BBC is so tabloid it is breathtaking. As the writer of the article says:

"The Sahel, that luckless area stretching from Senegal to Eritrea, is nearer to Europe than America is. Maybe its slow impalement by the pincers of jihadism & secular banditry will turn out to be of no external consequence but it seems a subject deserving more than indifference."



Monday, 14 August 2023

Catty

I don't know how much of this interview in Saturday's Financial Times to believe, but I love the bit about the cat. It's probably an embroidery, intended to make us think, "Ooh Bellingcat belling a cat", but it's a good anecdote all the same, ripe for conversion to fiction or cinema:




Sunday, 13 August 2023

Halcyon Days

My oldest daughter gave birth to her own daughter last June. Unexpectedly - and sadly - she did so as a single mother. As a result, we have spent most of the time since the baby's arrival together - with our other daughter joining us as often as possible as well. 

It has been wonderful. As a woman at a supermarket checkout said to my daughter a month or two after the baby's birth, "Children are the joy of the world." Disappointingly for her she had only two, as she went on to explain; ideally, she'd have had several, but her husband turned out to be more violent than she had reckoned on (whatever exactly that means).

Some people would label that conversation "oversharing", but for me it was an affirmation of all that I was feeling. This new life transformed our family circle, endowing each of us with new stores of happiness and love.

Why did I need a reminder of the marvel that the universe becomes when children arrive? Because I am a discontented soul, inclined to focus on how disturbing so much in the world is and too ready to worry, whenever I want to point out loveliness, that I am being sentimental, Pollyannish, or rather like Fotherington-Thomas, deemed total wet and weed at Molesworth's school St Custard's. 

Anyway, thanks to the arrival of our grand daughter, life in our family has become infinitely more full of all sorts of things I hesitate to mention, such as joy, love, laughter ... actually this is getting emetic. Let's just say, it's been great. 

Given the delight brought by a baby's arrival in my own family, I feel more than ever that having children is something good. However, I don't think this is the message many young people are getting. I met someone the other day who said she couldn't have children because of climate anxiety. Others decide they can't pursue the careers they have just begun to succeed in or to afford housing while also meeting the needs of offspring. These are understandable worries but they suggest that things in the world we have built for ourselves need improving, not that young people should have to give up one of the most extraordinary experiences a person can have.

Sadly though during my whole lifetime the politics of childbearing has been focussed on another battle. Instead of campaigning for changes in the way we support those raising children, shaping policies on the principle that having children is the most important thing human beings can do, if they get the chance, the big fight has been for the opportunity to pull part grown babies out of women's bodies.

What a colossal mistake the leaders of the women's liberation movement made when they chose abortion as the central tenet of their struggle. Although any challenge to the argument that abortion is a woman's right to choose is generally met with outrage, to me it has always seemed incoherent, for a range of reasons.

These include: 

(a) it is against women's interests to fight for the right to have something rather violent done to us in order to allow us to continue a path through life as uninterrupted as that of men, rather than advocating for deep changes to be made in society that will ensure women are not disadvantaged but supported when they become mothers; 

(b) the main liberation abortion provides is that of allowing men to avoid responsibility; 

(c)  'my body, my right to choose' is logically flawed as an argument because, except in a tiny proportion of instances, women have the right to choose not to indulge in an activity that makes them pregnant but once they have made the choice to participate in that activity and as a result got pregnant - as they knew might be possible - their bodies, precisely because of the choice they have already made, stop being the only ones at stake.

The catalyst for my suddenly pouring all this out in a post was an article in this weekend's Telegraph magazine. It tells the story of the sadness of infertility from the point of view of a man, which in itself is quite unusual. It explains how the writer and his wife, having lived the kind of life that young people are encouraged to live by all the various images and influences that surround them, arrived at their mid-thirties and were hit by "the desire to have a child". Perhaps in part because they were both already well into their thirties, things didn't go well when they set out on a quest to conceive. They ended up in "the absolute medical world of IVF". 

This couple were lucky. After all the horrible intrusions of the IVF process, they ended up with a child. Although I acknowledge it, I won't try to grapple here with the ethical quagmire of the fact that in the process they conceived 10 embryos but 9 were discarded because the doctors deemed them all "in some way doomed".  Instead, I'd like to quote from the article and invite readers to contrast the way in which a foetus conceived five days ago is regarded if you are an IVF patient compared to the way we are exhorted to see it by advocates of abortion:

"For five days this child, our child, now a blastocyst, lived in a petri dish in the laboratory. After five days, we went back to the clinic. On a screen they showed us an image: a collection of cells, smudged softly together like bubbles. These cells were then placed inside my wife's body. We left with a Xerox of the image of the cells. It felt very strange, to have this photograph of a person before they were a person, but also comforting, as if the fact that something can be photographed makes it definite and real."

I am reading The Secular Age  by Charles Taylor, which traces among other things a loss of enchantment in the western perception of the world after the Middle Ages Therefore, I was also intrigued by the way in which the author of the Telegraph article returned to the thought habits of the enchanted world when he was hoping to become a father:

"I have never wanted somthing more than I wanted this process (IVF) to work, this change to happen: to have something where before there was nothing. To want something so much was a trauma [this bit is so modern and to me annoying - the word trauma has become so overused.] Perhaps as a way of coping with the need I was feeling, I became very superstitious. I decided that I had to keep reading the same book I happened to be reading when we began the process so I read it every day, even though I had long exhausted it. Or I wore the same T-shirt to every medical appointment.

Of course now this all seems crazy. But maybe the truth is that however much we have a desire for change, in fact to change is very arduous and strange, so that it's not as irrational as it might seem, to need some kind of help in a process of transformation. It was as if the universe became a being that I needed to placate every day, the way I used to talk to unseen spirits and imaginary friends when I was a child."

At the centre of what I see as our current misunderstanding and undervaluing of human procreation may be our state of disenchantment, an attitude to life of banal practicality, something that most of us are schooled in from birth. We are immersed in a noisy world of distractions and novelty - screens and gadgets and all the other flashy stuff we are encouraged to waste our attention on. In this world, while we understand more and more about the mechanics of existence, the mystery at the heart of it  - simply put, "why?" - is rarely even acknowledged. 

Until, for those of us who experience it, childbirth breaks through the clamouring static, reminding us there is something beyond the day-to-day. Perhaps this is another reason we are not strongly encouraged toward having children - the fact that the birth of a baby gives us a glimpse of transcendence, of wonder, of the miraculous. Every single arrival is amazing, a dazzling, confounding event. What creates this inexhaustible supply of unique spirits? Where do they come from, these new individuals emerging daily into the world?

Friday, 28 July 2023

Literary Meals - Martin Chuzzlewit

I am reading Martin Chuzzlewit by Charles Dickens. I am disappointed to write that thus far I am finding it heavy going. I don't think it will replace Little Dorrit or Our Mutual Friend in my affections. All the same it has a passage that is rich with descriptions of food, which is never a bad thing in a novel, in my opinion:

"A famous Inn! the hall a very grove of dead game, and dangling joints of mutton; and in one corner an illustrious larder, with glass doors, developing cold fowls and noble joints, and tarts wherein the raspberry jam coyly withdrew itself, as such a precious creature should, behind a lattice work of pastry. And behold, on the first floor, at the court-end of the house, in a room with all the window-curtains drawn, a fire piled half-way up the chimney, plates warming before it, wax candles gleaming everywhere, and a table spread for three, with silver and glass enough for thirty ...

‘I have ordered everything for dinner, that we used to say we’d have, Tom,’ observed John Westlock.

‘No!’ said Tom Pinch. ‘Have you?’

‘Everything. Don’t laugh, if you can help it, before the waiters. I couldn’t when I was ordering it. It’s like a dream.’


John was wrong there, because nobody ever dreamed such soup as was put upon the table directly afterwards; or such fish; or such side-dishes; or such a top and bottom; or such a course of birds and sweets; or in short anything approaching the reality of that entertainment at ten-and-sixpence a head, exclusive of wines. As to them, the man who can dream such iced champagne, such claret, port, or sherry, had better go to bed and stop there.


But perhaps the finest feature of the banquet was, that nobody was half so much amazed by everything as John himself, who in his high delight was constantly bursting into fits of laughter, and then endeavouring to appear preternaturally solemn, lest the waiters should conceive he wasn’t used to it. Some of the things they brought him to carve, were such outrageous practical jokes, though, that it was impossible to stand it; and when Tom Pinch insisted, in spite of the deferential advice of an attendant, not only on breaking down the outer wall of a raised pie with a tablespoon, but on trying to eat it afterwards, John lost all dignity, and sat behind the gorgeous dish-cover at the head of the table, roaring to that extent that he was audible in the kitchen. Nor had he the least objection to laugh at himself, as he demonstrated when they had all three gathered round the fire and the dessert was on the table; at which period the head waiter inquired with respectful solicitude whether that port, being a light and tawny wine, was suited to his taste, or whether he would wish to try a fruity port with greater body. To this John gravely answered that he was well satisfied with what he had, which he esteemed, as one might say, a pretty tidy vintage; for which the waiter thanked him and withdrew. And then John told his friends, with a broad grin, that he supposed it was all right, but he didn’t know; and went off into a perfect shout.


They were very merry and full of enjoyment the whole time, but not the least pleasant part of the festival was when they all three sat about the fire, cracking nuts, drinking wine and talking cheerfully."

Friday, 21 July 2023

Play for Today Marathon

I have been meaning to say that, together with Steerforth, excellent writer of Age of Uncertainty blog, I have set out on a mission to watch every available Play for Today. We will write about each one we see and we have made this blog for the purpose. 

For those who don't know, Play for Today was a weekly programme on the BBC. As the name implies, it took the form of a play. It ran from 1970 to 1984 and I think Steerforth told me that there are 150 plays in the series. We may also include the Play for Today's predecessor, The Wednesday Play, if we are still keen at the end of the 150 plays ahead. 

Well actually, I suppose there are only 147 now, as we've already covered three. And of that three, I really enjoyed two. The other was not really very good, but, for me at least, almost worth watching as its star was a very young. Ray Davies.