A blog about pictures and places and books and unusual museums and everything from Z to C (that is, absolutely everything in existence, provided one takes an anarchic view of alphabetical order) Above all, it's an aide memoire for me
Tuesday, 29 May 2012
Bilding the Edukashon Reverlushion
In my mother's local town this morning, I was glad to see so many signs of Australia's rapidly improving educational system:
(presumably the table became soild because they stored the manuare on top of it?)
(One artist in the family's plenty - I don't need a cupboard that draws).
I wrote a novel that the London literary agency Sheil Land tried to sell for me. One publisher thought it was "compelling". Another said, "It’s pacy and gripping, and the plot is great." A third commented that it "is a warm, engaging and easy read", while a fourth considered that, "It is a good story (stories) well told". If you want to see what you think, you can find it here.
I wrote a novel, represented by Sheil Land. One publisher thought it was "compelling, but it wouldn’t be easy to categorize – it is somewhere between ‘literary’ and ‘commercial’, and would need to be one or the other to be pitched for successfully in an acquisition meeting." Another said, 'It’s pacy and gripping, and the plot is great, but it lacks that lighter women’s fiction feeling. The writing is undeniably good but I’m not quite sure how I would position it on our list.'A third commented that it "is a warm, engaging and easy read but this ‘middle market fiction’ is a really tough area', while a fourth considered that, "It is a good story (stories) well told, but just missing the X-factor that would make me fall in love with it." I wanted to write an entertaining novel that I would like when I was in the mood for something thoughtful & amusing that I could enjoy without too much effort. If you would like to read it yourself, you can find it at http://cargocollective.com/Unrealities/Holding-On-a-novel.