Sunday, 3 October 2021

Recent Reading

I've been reading a book of poems by Elizabeth Bishop called Questions of Travel. This is the marvellous poem that gives the book its title, a discourse on travel and whether it is worthwhile or frivolous (it's both, of course, like all the best things):


Questions of Travel


There are too many waterfalls here; the crowded streams


hurry too rapidly down to the sea,


and the pressure of so many clouds on the mountaintops


makes them spill over the sides in soft slow-motion,


turning to waterfalls under our very eyes.


—For if those streaks, those mile-long, shiny, tearstains,


aren’t waterfalls yet,


in a quick age or so, as ages go here,


they probably will be.


But if the streams and clouds keep travelling, travelling,


the mountains look like the hulls of capsized ships,


slime-hung and barnacled.


  Think of the long trip home.


Should we have stayed at home and thought of here?


Where should we be today?


Is it right to be watching strangers in a play


in this strangest of theatres?


What childishness is it that while there’s a breath of life


in our bodies, we are determined to rush


to see the sun the other way around?


The tiniest green hummingbird in the world?


To stare at some inexplicable old stonework,


inexplicable and impenetrable,


at any view,


instantly seen and always, always delightful?


Oh, must we dream our dreams


and have them, too?


And have we room


for one more folded sunset, still quite warm?


  But surely it would have been a pity


not to have seen the trees along this road


really exaggerated in their beauty,


not to have seen them gesturing


like noble pantomimists, robed in pink.


—Not to have had to stop for gas and heard


the sad, two-noted, wooden tune


of disparate wooden clogs


carelessly clacking over


a grease-stained filling-station floor.


(In another country the clogs would all be tested.


Each pair there would have identical pitch.)


—A pity not to have heard


the other, less primitive music of the fat brown bird


who sings above the broken gasoline pump


in a bamboo church of Jesuit baroque:


three towers, five silver crosses.


  —Yes, a pity not to have pondered,


blurr’dly and inconclusively,


on what connection can exist for centuries


between the crudest wooden footwear


and, careful and finicky,


the whittled fantasies of wooden cages.


—Never to have studied history in


the weak calligraphy of songbirds’ cages.


—And never to have had to listen to rain


so much like politicians’ speeches:


two hours of unrelenting oratory


and then a sudden golden silence


in which the traveller takes a notebook, writes:


  “Is it lack of imagination that makes us come


to imagined places, not just stay at home?


Or could Pascal have been not entirely right


about just sitting quietly in one’s room?


Continent, city, country, society:


the choice is never wide and never free.


And here, or there … No. Should we have stayed at home,


wherever that may be?










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